During the 2020 Spring semester, the students of the Graduate Program in Exhibition and Experience Design at FIT (New York), collaborated with the Wildlife Conservation Society on a project as a part of their second semester experiential graphic design course.
SEGD asks 20 questions of Andrew Lazarow, an award-winning interactive designer at ESI Design, an NBBJ studio (New York) who is passionate about creative problem solving, ethical use of technology, and the arts—and gives us the scoop on new interaction options, like touchless haptics.
The novel coronavirus has shown how vulnerable many sectors are to future pandemics. While occupancy levels are lower, it’s the perfect time to create more resilient, adaptive spaces, and the experiential graphic design industry has the potential to lead the way.
Sydney studio BrandCulture has published a series of articles explaining how COVID-19 will impact the design of built environments from hospitality and education to healthcare and public spaces. Here are a few of its key observation-based predictions, broken down by sector:
Read Time: 2 minutes
On August 4,2020, in response to the impact of COVID-19 on businesses around the world, Freetouch™ announced a new patent-pending product that enables anyone with a smartphone to remotely interact with shared touchscreens, eliminating the need for physical contact with kiosks, ATMs, and other interactive displays.
Last fall, educators Don Norman and Michael Meyer were in the thick of writing “Changing Design Education for the 21st Century” when the novel coronavirus struck. Their deeply considered research was published in late February in the Spring edition of "She Ji: The Journal of Design, Economics, and Innovation," from Tongji University Press, and more broadly in April across social media channels.
“Waste of Space” was a hands-on collaborative exhibition created by Visual Communication Design, Industrial Design and Interaction Design Seniors at the University of Washington (Seattle).
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