This exhibition celebrated the long and varied career of the late US Senator Daniel Patrick Moynihan. Senator Moynihan was an outspoken advocate of public architecture and urban planning. The museum organized the show as a tribute to the "Senator of Design."
This is the most comprehensive exhibition ever presented on the ancient city of Petra, located in modern-day Jordan. It features approximately 200 artifacts, including architectural fragments and sculptures, ceramics, and decorative stuccowork. The challenge for this show was to evoke a powerful site without literally recreating it.
In 2004, the Robert F. Wagner School of Public Service moved from a vintage Georgian building on Washington Square Park to a loft in the Puck Building in Soho. Collaborating with project architects Suben/Dougherty Partnership, Pentagram created environmental graphics that integrate the school's mission with its unique building. The interior circulation is grid-like and reminiscent of city streets. The designers created an identity and visual language for the school's printed promotions, and extended this to the environmental graphics for the school.
This exhibit is an educational collaboration between SEGD and AIGA, inviting visitors to experience dimensions of communications and information, wayfinding and signs, identity and environments, and interpretive exhibits and retail.
This exhibit illustrates the importance of unique design development approach paradigms in achieving revolutionary results.
Smart Cars and other iconic objects were displayed as examples of successful paradigm shifts in practice. The architectural transformation of 340 Madison, a recently redeveloped and redefined Midtown Manhattan office building, is also integrated into the exhibit.
How does one use a structural form to display a singular idea and express it in multiple ways? Eureka! A simple, illuminating light bulb reminds us that each design starts with an idea. This exhibition celebrates the best designs of 2005; producing the event took the creativity of a team that understands inspiration.
The exhibit design refers to the Victorian context of Darwin's work, with dark wood and brass cases, while incorporating a contemporary perspective. It moves back and forth from an ordered rectilinear world with decorous Victorian detail, for the sections focusing on Darwin's life, to curving organic shapes in the areas where discovery and science prevail. The section on the Beagle voyage is organized into little islands of content, and the pathway through the exhibit is evocative of the circuitous voyage itself.
Eat and Be Eaten began as an exhibition when Liberty Science Center needed to keep its live animal collection while its main building was closed for expansion. It would be on display for two years in temporary space and then move back to the main building upon completion of the renovation. It was designed as a modular system of durable hexagonal structures that could easily be reconfigured and expanded.