Although store-window design is in itself a genre, an emphasis on selling merchandise often dominates the visual theme. To celebrate the Jewish New Year at The Jewish Museum in New York, the curator wanted to use the museum’s windows as a means to celebrate (and, in a way, advertise, the Jewish New Year). She requested something playful, but reflective of the educational mission of the museum and respectful of the building’s historic façade.
The Cleveland Museum of Art is midway through a $350 million expansion and, through a leadership grant from its board of directors, has been challenged to grow new audiences to engage with art and the museum.
As part of their environmental graphic design course in Andalou University’s Graphic Design Masters Program, Ceyda Artun and Dilek Erdogan were challenged to transform the school’s Fine Arts Faculty Canteen into “something more inspirational, interactive, and educational.”
GRA521 Environmental Graphic Design course, Anadolu University, Institute of Fine Arts, Graphic Design Masters Program
The Natural History Museum of Utah has created a remarkably integrated suite of design components: the Ennead-designed building nestled in the foothills of the Wasatch Range, a series of 10 interconnected exhibitions designed by Ralph Appelbaum Associates that resonate with the natural setting, an interior and exterior wayfinding program by Poulin + Morris, brand identity by Infinite Scale, and landscape architecture by Design Workshop.
The National Building Museum’s exhibition PLAY.WORK.BUILD takes visitors through an investigation of the history of construction toys and block play, combining the museum’s unique architectural toy collection with the Rockwell Group’s Imagination Playground concept.
Gretchen is Director of Business Development for Gallagher & Associates. She previously served as Principal of Douglas|Gallagher Chicago. Her experience also includes positions with Gensler/LA as Director of Graphics and Owner/Principal of Coss Creative for 11 years.