This exhibit focuses on uncovering the history of Market House, the oldest building on the Rhode Island School of Design campus. This historic site has long been known as a center of commerce, a public gathering place. Our goal was to create a dialogue between three layers of history researched: public commerce, private domestic life and the undocumented existence of the working class. We also strove to reveal the parallels between our current social concerns and those of the past.
Concord Mills is a 1.4-million-square-foot retail and entertainment center by the Mills Corporation. The design concept is based on regional imagery, celebrating North Carolina's crafts, festivals, nature, music, sports and traditions. One major design challenge was keeping the overall design concept in place while the building was constantly evolving as new tenants were added. In addition, maintaining design integrity through fabrication and installation was a challenge given the short timeframe and the multitude of construction people working simultaneously on the project.
With more than 19 million visitors per year, downtown Indianapolis is experiencing dramatic growth. A number of cultural, sporting and governmental venues are generating significant interest in the downtown, but the competing signs leading to these venues were generating confusion.
In pursuit of its goal to achieve a stronger worldwide awareness of the Ducati brand, the company decided to create a street-level presence in urban centers around the world. The principal objective of the showroom is to create a retail environment that displays the Ducati motorcycle to its best advantage, reinforces the distinctive Ducati brand and captures the dynamic essence of the motorcycle. The design concept, strongly industrial and minimalist in nature, is based on the perception of the motorcycle as an elegant, highly engineered machine.
Five 65-inch bronze plaques interpret the settlement of Minneapolis Gateway District at five periods in history. The Minnesota Historical Society, HOK Architects, McGough Construction, and the Federal Reserve Bank provided input for the project. Gruppo coordinated all participants, interpreted design intent, scale, treatments and methods for completion. The biggest challenge was to focus all groups on a workable plan, then execute the approved plan by coordinating a disparate group of disciplines.
The design team transformed an elementary school's common area into an educational and inspirational tribute to the school's namesake, Major Robert Crawford. With the long dark winters, the design had to be especially bright and uplifting. It needed to tell the story of a significant historical figure with a creative force equal to Crawford's accomplishments, yet be easy to clean, child friendly and durable. To achieve this, the project was interactive with the student body, and incorporates their drawings of "flying creatures of nature."
The Frank G. Wells Building is a five-story office building adjacent to the Main Alameda gate on Disney's Burbank Studio lot. It is a large building designed to be sympathetic with both the low-key Kem Weber buildings that make up the fabric of the campus, and the grand Team Disney Building that it faces. It is laid out as a loft building with standard leasable office depths surrounding an interior courtyard. The modest materials of the base building are replaced by more precious materials at the entry.
"Uniquely Grand, Totally Central" is the slogan for the newly renovated Grand Central Terminal. A crossroads for New Yorkers and visitors alike, the terminal is a major public transportation juncture, a renowned New York landmark and a successful retail destination. Two Twelve created two wayfinding maps for this grand space. With the retail directory, the challenge was to design a map that would highlight all of the Terminal's special features and its rich history.