Germ City is the first segment of a multi-city initiative to “highlight the social and scientific interplay between people and pathogens” in the urban environment. The exhibition features over 100 scientific and historical artifacts, interactive stations, and commissioned artworks that tell the story of city-wide responses to infectious disease over the last 200 years.
While most exhibitions about the city highlight its verticality, this exhibit focuses instead on the organic flow of microbes. The main gallery creates a deeply-immersive, miasmic laboratory environment. A gigantic, curvilinear table in the center imagines a new exhibition typology of agglomeration that creates loose groupings to demonstrate connections among objects, reproductions and artworks that are thematically related. In the Reading Room, the discussion table typology is disaggregated into smaller, unique stations to invite diverse interpretations and hands-on engagement.
Throughout the exhibition, typography expands and contracts—much like the organic movement of microbes. Dozens of small microbe illustrations introduce the visitor to the “cast of characters” to help them keep track of the diseases discussed. Larger objects, such as a “Blood Mirror” sculpture that protests the exclusion of gay men from donations or a full-size iron lung, are situated in the negative space of the table shape to allow appropriate wheelchair access.
Waqas Jawaid (architect); Andy Chen, Jihye Um, Renald Louissaint, Hannah Meng (graphic designers)
4,400 sq ft
South Side Design and Building (fabrication, installation), Full Point Graphics (vinyl visual print solutions, labels)