In late 2002, the Modern Art Museum of Fort Worth opened its new building designed by the Japanese architect Tadao Ando. Ando's design is comprised of five long, flat-roofed pavilions situated on a reflecting pool. Built of planed concrete and forty-foot-high walls of glass, the architectural forms embody the pure, unadorned elements of a modern work of art.
In the shadow of Brach's, twenty-eight massive wooden posts stand in an orderly rectangular configuration. Painted creosote black, the east and west faces of the posts are inscribed with the job titles of members of the Austin community. The north and south sides are inscribed with descriptive words these workers use to explain their job experience. The north contains negative descriptions and the south contains positive words. The skeletal configuration of the blackened posts mirrors the massive, unoccupied Brach's factory structure across the street.
Founded in 1997 by cancer survivor and champion cyclist Lance Armstrong, the Lance Armstrong Foundation has raised more than $260 million for the fight against cancer. The organization’s new headquarters facility, a renovation of the 30,000-sq.-ft. Gulf Paper warehouse in East Austin, houses foundation staff and also supports the survivorship mission by providing space for programs and activities.
With more than 40 member institutions located on a densely developed 800-acre site, the Texas Medical Center is the world’s largest medical center. And with more than 12 miles of streets and roadways—and approximately 43,000 parking spaces in dozens of parking garages and surface lots—it presents some significant wayfinding challenges.
Over the past several years, local environmentalists have worked hard to save Japhet Creek, part of the Buffalo Bayou waterway system that is Houston, Texas’ most significant natural resource. Japhet Creek had become a dumping ground, littered with tires, trash, plastic bottles, and rubble.
Univ of Houston Studio Collaboration-School of Art, Graphic Communications Program, Gerald D. Hines College of Arch
Zero Waste was a temporary installation representing RTKL Associate’s Dallas architectural office at an exhibit sponsored by AIA Dallas. The purpose of the AIGA event is to introduce architects and architecture firms to the public and highlight the benefits of quality design on the built environment and many other aspects of our lives.