Artist Camille Walala has used her signature colorful style to create a maze inside a southeast London gallery, imagined as a playground where visitors can "unleash their inner child."
For over five decades, the Rolling Stones have continually reinvented themselves as musicians, performers and cultural icons, transforming music, art, fashion and popular culture in the process. This incredible legacy is explored in “Exhibitionism: The Rolling Stones,” a major exhibition opened at New York’s Industria Superstudio after a blockbuster run in London. The designers collaborated on the exhibition with producers Tony Cochrane and Thea Jeanes-Cochrane of iEC and curator Ileen Gallagher.
Building a wall between the U.S. and Mexico was a focal point of the 2016 U.S. presidential election; the idea has turned attention to the border between the two countries but ignores the point that they coexist in a complex synergy. Designed in collaboration with FR-EE / Fernando Romero Enterprise in response to the official theme, “Utopia by Design,” “Border City” is the Mexico installation at the first annual London Design Biennale.
Located in rejuvenated King’s Cross London, The Plimsoll Building, designed by David Morley Architects, references the Victorian industrial heritage of the area and it is named in honor of Samuel Plimsoll, one of Victorian Britain’s most important historical figures and one with links to the history of King’s Cross.
Christopher Lee, managing director (EMEA), Populous, explores how Arsenal's Emirates Stadium has led a new wave of venue-led urban regeneration in what was one of London's most deprived areas.
