MAXXI, the Zaha Hadid-designed national museum of contemporary art in Rome, opened in May 2010. Hadid created a building characterized by sinuous and geometric shapes, volumes that separate from the main building to overlook the city, exposed cement, modulation of natural light, and the use of white in all its shades.
The MAXXI Foundation wanted the signage system to provide essential information in a clear, visible, but non-invasive way. Ma:design conceived the signage system to reflect the architectural concepts of using light/shadow, full/empty, and rigid/organic shapes.
The Pavilion of Knowledge in Lisbon is an interactive science and technology museum that aims to make science accessible to all. Through its exhibits and educational programs, its goals are to stimulate experimentation and exploration of the physical world.
Design firm P-06 Atelier (Lisbon) collaborated with project architects JLCG Architects to create an environmental “skin” for the museum’s multi-purpose foyer.
Urban Tales is a time-based, site-specific piece of environmental typography created by Katie Bevin, a student in the Graphic Design Program, College of Creative Arts at Massey University in Wellington, New Zealand.
For her final project in 2010, Bevin combined form with shadow to create a temporal typographic narrative in Wellington’s urban Waitangi Park.
The village of Dubrova in Labin, Croatia, has been the site of the Mediterranean Sculpture Symposium since 1970. The symposium originated as a celebration of the beauty of stone indigenous to the region, and the Dubrova Sculpture Park is home to more than 70 monumental outdoor sculptures as well as a unique land art project called White Road, conceived by sculpture symposium founder Josip Diminić.