People are craving experiences with greater value—experiences that offer a wider range of personal benefits and takeaways than were previously available when the purpose of many public places was more narrowly defined. In this blog, Lee H. Skolnick discusses what the emergence of “edutainment” venues means for exhibit design
What software do Experiential Graphic Design firms use? Find out what the benchmark for design software is in 2017.
The latest survey from SEGD conducted in May 2017 helps you understand which software to use for which applications. In many cases, there are already industry standards forming. Aligning with industry standards makes it easier to employ people with the right skills and experience.
When I attended the 2017 Digital Signage Expo in Las Vegas, Eric Heiman of Volume Inc. was speaking at the SEGD Branded Environments event. I sat front-row in a room filled with over 150 environmental graphic designers and those that help us do what we do, and I heard the term “blanding” for the first time.
On June 10, Sean Scensor will join a top-notch lineup of speakers at the 2017 SEGD Conference Experience Miami and detail how renowned architectural firm Safdie Architects shaped a visionary masterplan and designed an innovative health sciences center in the heart of Cartegena, Colombia.
When I was first approached to chair the 2017 SEGD Conference Experience Miami, I imagined the draw for everyone would be the amazing weather and location. Upon digging in and learning more about the designers and projects occurring both in Miami and South America, I was impressed by how much design innovation and expertise we could feature.
This year’s decision to bring the topic of Branded Environments to DSE was made to strategically expose as wide an audience as possible to the value that brand integration brings to environments, spaces, communities and places. That clearly resonated with attendees with an increase of over 50% in registrations.
SXSW is an annual gathering of the most innovative minds from the worlds of film, technology, music, government and everywhere in between. To say the event is huge is a gross understatement—approximately a quarter of a million people attend.
In February SEGD asked the profession about their training needs. The input will be used ensure that the SEGD education program is better tuned to the needs of the profession. The results are in and reveal some interesting observations about how the profession looks at training.
