Design Thinking is Becoming a Driver of Innovation
Besides spatial orientation, creating a sense of place and knowing what is there, what other problems or needs might the experiential graphic design community solve for users?
By Christina Amri, Amri Studio
Imagine my surprise when my long-ago business partner (and high-school sweetheart) called me the other day to say, “Hey, our stained glass is in the new movie ‘The Last Black Man in San Francisco’—and it looks good!”
Each week is not planned nor defined. I observe and then design…
A visual blog by Lucy Holmes
A current preoccupation is colour (or color in US English). I don’t know the percentage, but I have worked with many graphic designers who are colour blind. It has made for some lively discussions and decision making over the years.
Since 1987, SEGD has recognized the individuals, companies and institutions whose work has significantly advanced the environmental and experiential graphic design fields through its Achievement Awards program. Now it's time to submit your nominations for 2020!
Each week is not planned nor defined. I observe and then design…
A visual blog by Lucy Holmes
This collection of things I’ve seen are all about texture and shapes. I’m currently working on a project that challenges how we "see" things. As a collection, there is a richness in color, but more importantly they are visual references for my work.
When you mention “multimedia” to some museum professionals, certain narratives immediately come to mind about what that might be in a museum experience.
