Remember that Rubik's Cube you burned thousands of hours trying to figure out? Javier Lloret channeled the tantalizing, obsession-making tactile game into a building-size interactive puzzle. It certainly clicked with the 2014 SEGD Design Awards jury, and it will click with you, too. Check it out and get inspired to enter your projects in the 2015 Design Awards. But hurry, you only have 3 more days!
Nature Lab, a new exhibit at the Natural History Museum of Los Angeles, uses media and lively graphics to invite visitors to “put their nature eyes on.” Gallagher & Associates and KBDA collaborated on the project, which was a 2014 SEGD Global Design Awards winner. Do what comes naturally—allow your work to shine by entering the 2015 SEGD Global Design Awards. The deadline has been extended to Feb. 28!
Wayfinding systems overcome language, cultural, and literacy barriers to help users make sense of the built environment. At Tongji University in Shanghai, a unique system designed by the College of Design & Innovation combines symbols and Chinese characters to help students navigate a new facility while building a sense of community identity. The project was a 2014 SEGD Global Design Awards winner. (Enter your work in the 2015 SEGD Global Design Awards!)
A Beautiful Way to Go
Historic Green-Wood Cemetery in Brooklyn is the final resting place for many 19th century New York notables. Pentagram’s exhibit honoring the cemetery was a 2014 SEGD Global Design Awards winner. What project have you brought to life recently? Enter the 2015 SEGD Design Awards today!
Data Visualization as an Art Form
We’re constantly barraged by data, but what does it all really mean? Investment Technology Group’s mission is to decode all that “noise” for its clients. At ITG’s New York HQ, Landor used data visualization as a sophisticated branding tool. The project was a winner in the 2014 SEGD Global Design Awards.
Thank You and Enjoy the Show
A novel donor wall does double duty for the Sydney Theatre Company. The project was a 2014 SEGD Global Design Awards winner. Have you entered your work yet? The deadline is January 31st!
Saying a gracious "thank you" to patrons is crucial for arts organizations like the Sydney Theatre Company.
Powering Up the Brand
Eaton Experience Center powers the brand with an architecturally integrated multimedia installation at its new Cleveland campus. The project was a 2014 SEGD Global Design Award winner.
Answering the Call
C&G Partner’s exhibition for the American Museum of Jewish Heritage tells the compelling story of European Jews and their American rescuers. The project was a 2014 SEGD Global Design Awards winner.
Vancouver Community Library opens its books and its doors with a building design and wayfinding that welcome the future. The project was a 2014 SEGD Global Design Award winner!
The Romance is Back
The epic digital landscape at LAX’s new Tom Bradley International Terminal took top honors in the 2014 SEGD Global Design Awards. Art deco curtains part to reveal gold-toned dancers spinning inside a multi-tiered clock-like confection. Three-story-tall guitar strings quiver and plunk to the movements of passersby.
Unified Field pushes the boundaries of digital signage to create a sophisticated, immersive brand experience for Yale University. Opened in January 2014, the 242,000-square-foot, Foster + Partners-designed Edward P. Evans Hall is the new home of the Yale School of Management.
Wayfinding: The Lingua Franca
Brisbane’s new wayfinding system bridges the language gap for its growing Asian population.
NBBJ Studio 07 prescribes an unexpected medium to draw attention to the work of a pediatric research facility.
At Seattle Children’s Research Institute, one of the top five pediatric research centers in the U.S., hundreds of scientists and researchers work to find new cures
2014 SEGD Global Design Awards: Digital Technology and Connecting to Place
SEGD announces winners of global Experiential Graphic Design awards.
WASHINGTON, DC – As digital technology advances into everyday communications in the built environment, Experiential Graphic Design is leading the way with innovative media applications that create memorable experiences and connect people with place.
Design Forces Converge at the 2014 SEGD Conference in Atlanta
Ideas, cultures, disciplines, and geographies converged in Atlanta June 5-7 for the 2014 SEGD Conference themed Convergence: Crossing Lines.
Just as Atlanta is a city that has been shaped dramatically by social, cultural, and historical forces, design is continuing to shape and reshape itself as disciplines, technologies, and social changes collide.
The Ventspils Museum permanent exhibition is located in the 13th century Castle of the Livonian Order of Knights, one of the oldest castles in Latvia. Design Studio H2E took this special context into consideration in creating the exhibition. The team’s design concept is based on the shards of history that have impacted the castle and the port city over the course of centuries. The team translated the concept of shards visually through asymmetrical, polygonal shapes that form furniture, display cases, interactive stations, and other elements throughout the exhibition.
Opened in January 2014, the 242,000-square-foot, Norman Foster + Partners-designed, Edward P. Evans Hall is the new home of the Yale School of Management. To create a lasting impression of the Yale School of Management's presence and brand, and to easily communicate timely information, Unified Field created three floors of interactive media and digital signage for the students, faculty, and visitors.
Located in northern Portugal, the Municipality of Paredes has been framing itself in the context of creative cities, finding an engine for development and sustainable growth through talent and creativity. Its history and industrial capacity, in particular the furniture sector (representing 61% of national production), are key factors in Paredes being recognized as a creative center.
A “drawer full of knowledge” metaphorically describes the building design and wayfinding concept for the new Vancouver Community Library. A 200-foot long, four-story atrium is the open drawer, exposing the library’s contents and encouraging exploration.
The Tongji University metalworking studio focuses on training students to develop practical skills and innovative thinking. The teaching philosophy is "knowledge, ability and personality."
In 2013, Collider was engaged to design a permanent installation in honor of Sydney Theatre Company’s long-term patrons and donors. The honour wall features a series of clear boxes housing special props and wardrobe featured in a variety of productions over the company's history. Dimmable back-lit panels provide a frame for each object while oregan panelling grounds the wall within the existing architecture and layered, old, and industrial nature of the pier setting.
While working on another project at the South Street Seaport Museum, Cooper Joseph Studio’s design team discovered a huge number of tools that had been stored unceremoniously in boxes, then set out on sheets on the floor. The museum had planned to take them off site, but Cooper Joseph suggested the idea of collecting them in an exhibit.
REACH stands for Revenue Enhancements and Customer Hospitality. It is an aspirational design guideline meant to orient employees and consultants to San Francisco International Airport's point of view, values, and objectives for the future.
Puzzle Facade was part of Javier Lloret’s thesis project in the Interface Culture master’s program at the Universität für Künstlerische und Industrielle Gestaltung in Linz, Austria. Puzzle Façade brings the experience of solving a Rubik’s cube to the urban space. It transforms the façade of the Ars Electronica center in Linz into a giant Rubik’s cube, inviting passersby to engage with the interactive experience.
In Fall 2012, the Public Theater opened a major revitalization of its New York home in the former Astor Library, a historic 1854 landmark located on Lafayette Street in East Village. Designed by Ennead Architects, the revitalization is the Public’s first significant upgrade since it opened in the space in 1967. It features a redesigned entry, expanded lobby, and restoration of the façade that adds a canopy and moves the building’s steps back onto the sidewalk.