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Chapter Chairs

Nick Kapica
Jo Bailey, Massey University
Jo Bailey
Explore SEGD content about your city

SEGD Global Design Awards: Wellington

Makara Peak Mountain Bike Park Wayfinding
Makara Peak Mountain Bike Park Wayfinding
Urban Tales Shadow Typography, Massey University, College of Creative Arts, Katie Bevin
Urban Tales Shadow Typography

Firms

Alt Group
Creature
Designworks
Special Group
Strategy Design  & Advertising
Studio Alexander
Studio Catherine Griffiths
SV Associates
Switch
Warren and Mahoney
We Love, Inc.

Fabricators

New Zealand Sign and Display Association

Design Schools

College of Creative Arts - Massey University
Faculty of Architecture and Design, Victoria University

Museums

Museum of Transport and Technology (MOTAT)
MuseumsWellington
Torpedo Bay Navy Museum
Voyager - New Zealand Maritime Museum

Contact

Nick Kapica | 0064 (0)22 621 8628

Wellington Blog

Nick Kapica, SEGD Chapter Chair, Wellington, New Zealand

Experiential Graphic Design was the umbrella term chosen for SEGD in 2013 to help capture the ever-expanding ways the profession uses communication to connect people to place. Our association covers many different practice areas from Wayfinding to Placemaking, Branded Environments, Exhibition Design, Public Installations, Design Research and Planning. Additionally, digital technologies for interfaces and the use of dynamic digital content are rapidly becoming common ways to connect people to place.

In June 2016, during the SEGD Annual Conference Chapter Chair meeting, I made a proposal that each of the chapters organize a workshop with the intention of investigating what Experiential Graphic Design means in their community. We may very well discover some buried truths about how we design experiences, from the very professionals working to connect people to place. It would certainly be interesting for our community to ponder as the field evolves!

In this same spirit of discovery, SEGD invites the many diverse practitioners of the Experiential Graphic Design field to come together in Wellington, New Zealand for the Off Grid 17 conference.

Off Grid 17 is the first attempt to examine what Experiential Graphic Design means to the design community. At the conference we will investigate, challenge, explore and define the meaning of Experiential Graphic Design and imagine the future of our field in contexts like city infrastructure, educational curriculum and design practice. We will seek to answer questions like: Where does Experiential Graphic Design fit into the ever-expanding discipline of design? What do Experience Design, Service Design, Wayfinding, Brand Identity and Exhibition Design contribute to Experiential Graphic Design? And, How does Experiential Graphic Design actually connect people to place?

Off Grid 17 is going to be a first-of-its-kind design adventure. Register before it is too late.

We hope to see you there!

Nick Kapica

 

Hello, Weekend!
To kick off your stay in Seattle like a local, you'll need three things: Coffee, Booze, and Good Vibes (maybe some flannel if you're your feeling fancy).

Come as you are (Nirvana pun intended) and hang out with your new found friends and old. No Seattle freeze here, folks. Keep it moving!

Light appetizers served and hosted bar until 8:00P

Location
Palace Ballroom
2100 5th Ave., 
Seattle, WA 98121

RSVP https://segdconf_chapterbash.eventbrite.com

THANK YOU to our event sponsors CREO Industrial Arts and Image Mill!

 

Rekindle talk: Design for Reuse

Public talk, all welcome. Drinks from 5.30, talk starts at 6pm.

The Pit, Te Ara Hihiko (Block 12)
College of Creative Arts
Massey University
Wellington 6021

Block 12 can be accessed via Entrance C (Wallace Street) or Entrance E (Tasman Street). You can park in non-reserved Massey spaces either side after 5.30.

Wellington Campus Map

We welcome Juliet Arnott of Rekindle to the College of Creative Arts to launch Resource: Rise Again, and talk to us about design for reuse.

Rekindle is a social enterprise that enables diversion of reusable resources from waste via creativity and craftsmanship. Seeing waste as resources full of latent creative opportunity fuels our work. They have initially focused on diverting timber from waste within residential demolition in Christchurch, turning this into furniture, interiors, sculpture and jewellery.

Rekindle are now working in Christchurch and Auckland to expand their model beyond timber into other materials. We see design as the tool that unlocks the qualities of resources undervalued when seen as waste. They aim to grow our capacity to support communities to utilise their waste fully and in doing so, maximize the benefits of the purposeful work involved. As a social enterprise the majority of profits are dedicated to furthering development of this work.

Resource: Rise Again is a project that enables designer/makers across New Zealand to address resources currently going to landfill. This project involves 5 paid positions for designer/makers to undertake intensive periods of problem-solving with waste, resulting in development of high-quality reuse outcomes. The design brief requires commitment to social and environmental impact.

This lecture is brought to you courtesy of SEGD (Society of Experiential Graphic Design) Wellington Chapter, and is sponsored by Peter Yealands Wine.

View poster
View press release

Rekindle poster

SEGD screening poster


Come and join us for an informal evening of choice talk screenings from the 2015 SEGD Chicago conference. Members and non-members welcome. BYO drink if you fancy cracking a beer. 

Date: Thursday 13 August
Time: 6pm-7.30pm
Location: Massey University College of Creative Arts Block 1 Te Whare Pukaka

We'll be showing the following videos from the conference: 

Design for Social Change
George Aye
Greater Good Studio

Cities are facing unprecedented social challenges, and design thinking is playing a crucial role in providing innovative solutions. George Aye and Sara Cantor Aye, co-founders of Greater Good Studio, are leading the way with their innovative practice that uses the power of design to create tools for positive social change. Come and get inspired!

Taming Great Expectations
David Zach
Futurist

What will the future be like? Strap yourself in for futurist David Zach’s take on the crystal ball. Is it all a guessing game, or can we make sense of how trends, new ideas, and content are shaping how we shape place? Join us for this look-ahead to an evolving design practice model and our future as a global community of thinkers, doers, and makers!

Questions? Tweet @segd_wlg or email [email protected]

Off Grid: An Experiential Journey. New Zealand, 2017

Off Grid: An Experiential Journey is a unique design driven way to experience New Zealand.

Off Grid explores the intersection of communication design and the built environment. Embracing a wide range of design fields, interrogating projects that create a sense of place, that help people find their way, communicate important information, and fuel dialogue between all users, the relationship between people and the spaces they all inhabit.

Off Grid will be a different type of conference that starts at local events in Auckland, Christchurch, Brisbane, and Sydney before participants undertake individual journeys to Wellington, the hub for Off Grid.

Off Grid is an ‘out of the lecture theatre’ experience that offers content you want in appropriate locations delivered in engaging ways. Every evening an Off Grid Party brings everyone together in an unexpected location to meet, discuss and learn from each other.

Off Grid lives through participation, your individual journeys and experiences inform topics that will be discussed when you convene in Wellington. Through an unconference format, opportunities are created for peer-to-peer learning, collaboration and creativity. There is no agenda until you create it!

Off Grid: An Experiential Journey. An international event from the Society for Experiential Graphic Design (SEGD) — the multidisciplinary community creating experiences that connect people to place.

Off Grid will bring influencers engaged in experiential design to stimulate and provoke discussion and respond to the emerging agenda.

Add your name and email address to our mailing-list to keep up to date with developments: http://eepurl.com/bYjSC5

Updates available on:
https://segd.org/chapters/Wellington
www.twitter.com/segd_wlg

The Wellington chapter is teaming up with Design Pro Meetup. Introducing the SEGD to the community and exploring the potential for a regular experiential graphic design meetup. Join in, meet good people, have good conversation, share cunning ideas, processes and awesome design recommendations. Main points of the event are:

  • Nick Kapica chats about the Society for Environmental Graphic Design (SEGD) 
  • Dave Keyes shows some internet banking design bits 
  • Jordan MacLachlan previews a new photo app called Luna 
  • Some not-too-bad designery prizes to be won. 
  • Good food and inspired company. 
  • Regroup at a nearby bar afterwards. 

FYI ... we've been going for six years now. Wow. Until I just used my fingers to count it out, I thought it was five years?! Time flies when you're talking design and drinking beer. For more see: www.meetup.com/designpro

introducing … is the first in an ongoing series that features designers in New Zealand working in Experiential Graphic Design, each designer will suggest the next in the series. We begin the series with Catherine Griffiths.

Catherine (b.1966) is an independent designer and typographer who currently lives and works in Auckland and occasionally Paris. Her work is a versatile mix of visual communication design, self-published artist books, typography installations in public and private spaces, and writing memoir-style, on design. In 2002, Catherine won New Zealand’s top graphic design award for the Wellington Writers Walk concrete text sculptures. In 2009, she curated and co-organised New Zealand’s first-ever typography symposium, TypeSHED11. Catherine has been twice shortlisted on teams for Creative Director role at the Venice Architecture Biennale (New Zealand, for 2014, and Australia, for 2016). A large mirror-faced, brass-backed ‘O’ suspended in space is planned for Auckland city, another iteration in her ongoing vowel series.

Fifth Movement, Auckland, New Zealand, 2012 / photograph: Simon Devitt

One of 15 concrete text sculptures Wellington Writers Walk, New Zealand, 2002 — 2004

AEIOU, a typo/sound installation

To find out more about Catherine and her work visit her website: www.catherinegriffiths.co.nz

Sign painters

Come join us at the Wellington campus of Massey University, in the Creative Arts building Te Ara Hihiko. This unique screening in New Zealand, made possible through the SEGD and Massey University, is a fundraiser for a 2015 design expedition to Chicago for a group of Massey students.

Sign Painters celebrates the hand-painted sign industry, an American tradition. This documentary explores a fascinating insight into a a highly specialised underground trade, emphasising an appreciation for a balance between art and commerce. Directed by Faythe Levine & Sam Macon, the film stylistically explores this unacknowledged art form through anecdotal accounts from artists across the country including Ira Coyne, Bob Dewhurst, Keith Knecht, Norma Jeane Maloney and Stephen Powers.

Only 100 tickets are available for purchase, and they are available here:

http://www.eventfinder.co.nz/2014/sign-painters-film-screening/wellington

We will see you there!

Proceed and be Bold! Poster Image

The Printing Museum has secured the rights to screen an acclaimed documentary about Amos Paul Kennedy, a letterpress poster printer from Chicago. Funds raised from the evening will help  preserve the Museum’s outstanding collection of printing equipment.  Proceed and Be Bold! joins Amos for a titillating retelling of his story, while examining the pretensions and provisions of the art world. The work of this self-proclaimed “Humble Negro Printer” raises emotionally-charged questions and reveals remarkable depth beneath the bold print. By learning the rules and then choosing to break them, Amos redefines what life (and letterpress printing) can be: exhilarating and subversive.  Wednesday 24th September 2014, 6pm, The Pit (12B09)Massey College of Creative Arts Building. Premium tickets: $30 (includes your own copy of the DVD), Standard tickets: $20, Massey students: $10. All Ticket Prices include a pre-theatre drink and snack. To reserve tickets: Please email [email protected]

I recently attended the SEGD conference in Atlanta which provided an excellent opportunity to meet and chat with the other chapter chairs. During the three intense days we exchanged anecdotes and observations about signs, wayfinding, wayshowing, typography and  experience design. We heard from leaders in the field, took part in site visits and workshops exploring this rapidly developing field of design. For my part within the Academic Summit I facilitated a workshop and discussion titled Collaborations and Cross-disciplinary Work … more on this in another post.

 

 

 

 

You can find a review of the conference here: https://segd.org/convergence-2014-segd-conference

Andreas Uebele told attendees, ‘I don’t believe in ideas. I only believe in process’
—Read our interview with Uebele—

Academic and design thinker/writer Per Mollerup told attendees that ‘The best environment is its own wayfinding’
—Read our interview with Mollerup—

Clifford Selbert, FSEGD, has designed some of the most iconic landmarks in the world—including the LAX Gateway—but in Abu Dhabi, his firm’s humble street sign is changing the world. He and colleague Will Ayers are directing a project that includes naming and signing more than 12,000 streets in Abu Dhabi city. The program will be expanded emirate-wide.
—Read the story here

And to end this post here is a collection of EGD related images from Atlanta that I took during a brief exploration of the city.
https://www.icloud.com/photostream/#AA5qXGF1qiYOg;898526ED-7BAB-4E5D-87AD-7E1E81B3D7D0

 

Images from Best of the Best, Designers Speak

Best of the Best Designers Speak, this Wednesday 14th May at City Gallery, Adam Auditorium, 101 Wakefield Street, Wellington.

The Best Design Awards are a major feature of the local design calendar and a selection of Graphic & Spatial winners are touring the country to offer first-hand insights into their projects: SPECIAL GROUP + ALL GOOD ORGANICS, INHOUSE DESIGN + SIMON DEVITT PHOTOGRAPHER, ALT GROUP and JASMAX + AUT. Predrinks start at 6:00pm., Presentations at 6:30pm. more info: http://dinz.org.nz/calendar/best-of-the-best-designers-speak

Bill Toomath, award winning New Zealand architect and head of the Wellington School of Design throughout the 1980s, passed away on 20th March 2014, aged 89. As a way to accurately refer back to Bill Toomath's architectural life and as a fundraising event to support The Mary Potter Hospice, the Toomath family invites you to a re-screening of Antonella and the Architect on Thursday 3rd April, 4pm at the Paramount Theatre, Courtenay Place. Entry donations will go to Mary Potter Hospice.

The 17th century portrait, St Jerome in his Study by Antonello da Messina, has intrigued Wellington architect Bill Toomath all his life, and in 2002 he designed and built a study for his house based on the painting. Toomath discusses this project, his architectural training and practice, and some of his clients. Time-lapse camera footage captures building progress, and the completed studio with replica desk emerges as a portrait of Toomath himself, and a tribute to architecture and ideas. 

Produced by Tony Hiles, the documentary is 1 hr 17 min in duration.

http://www.nzonscreen.com/title/antonello--the-architect-2007

If you have not already done so there is still time to enter the 2014 SEGD Awards as the deadline has been extended to 21 February. This is your opportunity to be recognised amongst the best experiential graphic design in the world. Read more: http://segd.org/segd-global-design-awards

Of Old India Event

SEGD Society for Environmental Graphic Design and Massey present Hanif Kureshi (29) an art director/graphic designer who studied Fine Arts at M.S. University of Baroda.

Kureshi is fascinated with typography and started handpaintedtype.com, a project to preserve and digitize India’s myriad of street painters’ styles.

His work (the video on painters) has been exhibited internationally. Kureshi has been a speaker at global design events such as TypoBerlin 2012 and Atypl in Iceland 2011.

He has won international and national awards for his various projects. Apart from advertising and typography, Kureshi also practices street art and his creations can be seen around Delhi.